48 pages 1 hour read

One in a Millennial: On Friendship, Feelings, Fangirls, and Fitting In

Nonfiction | Autobiography / Memoir | Adult | Published in 2024

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Background

Authorial Context: Kate Kennedy

Kate Kennedy is an American writer, podcaster, humorist, and comedian. She grew up in Richmond, Virginia, during the 1980s, 1990s, and early aughts. Kennedy explores the influence of this cultural era on her coming of age in her essay collection One in a Millennial. Kennedy earned her undergraduate degree in business from Virginia Tech and pursued a career in marketing and advertising. When she tired of the corporate world, Kennedy left her marketing job to start her own doormat business. This personal venture soon inspired Kennedy to branch out on other creative endeavors.

Most notably, Kennedy published her book Twinkle, Twinkle Social Media Star: An Internet Fairytale of Fame, Fortune and Followers in 2018, which explores her “love/hate relationship with social media”; and “started doing pop culture commentary” on her “pop culture/influencer focused podcast,” Be There in Five (“About Kate Kennedy.” Be There in Five). Via this podcast, Kennedy has combined her network of eclectic talents and interests in a culturally relevant venue. Be There In Five “is dedicated to finding the stories and experiences that lie within easily trivialized elements of the zeitgeist, not only to analyze and criticize for entertainment’s sake, but to celebrate these seemingly frivolous topics” ability to foster human connection and understanding (“About Kate Kennedy”). Kennedy’s vocational projects background her cultural examinations and commentaries throughout One in a Millennial, which leans upon Kennedy’s personal experiences and distinct love for pop culture to remark upon the millennial era. Kennedy’s penchant for word play, puns, and witticisms distinguishes her authorial voice and renders her controversial topics of discussion nonthreatening, entertaining, and engaging.

Cultural Context: Millennial Generation

One In a Millennial examines the influence of the late eighties, nineties, and aughts culture on members of the millennial generation. As Kennedy explains in the collection’s introduction, “millennials are people born between 1981 and 1996” (11). However, the term was originally used “to simply represent a group of people coming of age around the start of the new millennium” (11). The millennial identity has since been defined by older generations as lazy, self-centered, haphazard, and noncommittal. Throughout One in A Millennial, Kennedy seeks to interrogate these negative notions about the millennial generation and to prove that millennials are like every other generation, in that they are “a product of [their] time, having faced the worst financial crisis since the Great Depression” when first entering the workforce (12). Indeed, according to the Pew Research Center, millennials have higher levels of “student-loan debt, unemployment, and poverty, along with lower levels of personal wealth and income than preceding generations” (12). Kennedy argues that these trends are symptoms of larger-scale cultural, economic, and social change unrelated to millennials. Throughout her 12 essays, she identifies key facets of the millennial experience and argues in defense of millennials’ subversive trajectories and outlooks on life. Other key facets of the millennial generation that Kennedy addresses throughout the collection include millennials’ familiarity with the internet, mobile devices, social media, technology, the postponement of marriage and reproduction, and waning interests in religion and spirituality. Economic downturns, the Great Recession, and COVID-19 have had significant effects on the millennial outlook and identity as well.

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